摘要
中国书法艺术被喻为“无声之音”,但在当下科技的助力下亦可转换成真正的“有声之音”。声音可视化与图像声音化,不仅是基于视听通感的理论假设,而且已在当代一些视觉艺术和听觉艺术的探索中成为现实。“草书听觉化”作为基于现代“微声录音”的实验,可让人们听见书法那诉诸笔端的“吟唱”,既让人们真正感受到中国书法艺术的独特韵律,也为表现中国书画艺术的音乐创作提供了新的途径。
The art of Chinese calligraphy is known as the“silent sound”,but with the help of today’s technology,it can also be transformed into a true“sound”.Sound visualization and image vocalization are not only a theoretical hypothesis based on audiovisual synesthesia,but also become a reality in the exploration of some contemporary visual arts and auditory arts.As an experiment based on modern“whispered recording”,“cursive hearing”may allow people to hear the“chanting”of calligraphy resorting to the end of the pen.
作者
陆茵茵
陆晓幸
LU Yinyin;LU Xiaoxing
出处
《音乐艺术(上海音乐学院学报)》
北大核心
2023年第1期111-124,M0004,共15页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
上海市音乐声学艺术重点实验室2023年度委托科研项目,项目批准号:SKLMA—2023—01。