中国原创音乐剧的发展桎梏及突围

The Restriction of Chinese Original Musical and the Way Out

音乐剧是结合音乐、戏剧、舞蹈等多种元素的表演艺术,具有全面性、时代性特征。1980年,我国音乐家沈承宙在国家歌剧座谈会上提及“音乐剧”,向国内艺术界人士介绍西方国家的“音乐剧”艺术,此后音乐剧的概念被引入国内,迄今已有40年的发展历史。从我国音乐剧的具体发展情况来看,其日臻受到国内学术界、音乐界人士关注,对音乐剧的探讨分析也逐渐深入,具体研究方向包括音乐剧概念、艺术特征、商业运作模式、创作时代性、教学传承等。但大部分研究一般以单篇课题报告、论文的方式出现,主要对音乐剧艺术内容、市场运行中的某项内容或某个阶段开展研究,对于我国原创音乐剧的特征以及发展中产生的各项不足并未开展系统分析。音乐剧属于具有一定特殊性的艺术文化产品,在发展过程中不仅具有艺术性特征,也具有商业性特征;音乐剧是一项舞台表演艺术形式,对作品原创性要求较高,同时在后期推广中也受市场运营的影响。由此可见,对音乐剧发展做出研究,需综合关注前期阶段、后期阶段的整体性。

Since the beginning of 20th century,musicals have been widely promoted in European and American countries.Musical is a performing art combining music,drama,dance and other elements,with comprehensive and contemporary characteristics.In 1980,Chinese musician Shen Chengzhou mentioned"musicals"at the national pattern forum and introduced the"musicals"art of western countries to domestic artists.Since then,the concept of musicals has been introduced into China.It has a history of 40 years.Musicals are increasingly concerned by domestic academics and musicians,and the discussion and analysis of musicals are also gradually deepened.Research includes the concept of musicals,artistic characteristics,business operation mode,creation of the times,teaching inheritance,etc.However,most of the studies generally appear in the form of a single topic report or paper,mainly focusing on some content of the art or a stage in the market operation.No systematic analysis has been carried out on the characteristics of China's original musical and the shortcomings in its development.Musical is an artistic and cultural product with a certain particularity,which has not only artistic characteristics but also commercial characteristics in the development process.Musical is a stage performance art form,which requires high originality of works,and is also affected by market operation in later promotion.It can be seen that the research on the development of musicals should focus on the integrity of the early stage and the late stage.