韩国电影的南北想象:在民族-国家与世界史的框架中

Imagination of South-North in Korean Films:Located in Frames of Nation-State and World History

南北故事在韩国电影中的一再重述形成了理解民族-国家问题的三种不同的方法。第一种是通过寻找一种介于南北之间的调停的空间或作为他者的第三方,想象性地治愈历史的创伤并重建民族共同体。第二种是在国家意识形态的支配之下重述南北之间的历史与彼此僵持的现实,民族的分离被转译为国家之间的较量。这两种叙事都在民族-国家的框架之内展开,不同于此的另一种方法则是通过将南北关系置于20世纪后半期的冷战背景,从而将半岛的状况视为世界史的后果。

The repeated retelling of the North-South story in Korean films has formed three different approaches to understand the issue of nation-state.The first is to imaginatively heal the historical trauma and rebuild the national community by looking for a mediating space between the North and the South or the other as the third part.The second is to retell the history of the North and the South and the reality of mutual stalemate under the domination of state ideology,therefore,the separation of nations can be translated into a contest between states.An alternative to both narratives,which be located in frame of nation-state,takes the situation of the Korean peninsula as a consequence of world history by placing North-South interrelations in the context of the Cold War in the second half of the twentieth century.