走向展厅:中国民间年画的“可参观性”意义生产

Towards the Exhibition Hall:The Production of Visitability on Chinese Folk New Year Paintings

“过新年、贴年画”是我国民间传统的视觉现象和文化行为,但随着社会生活全面现代化以及现代人文化实践的形态变迁,民间年画从最初家庭场域内的文化用品逐渐演化为在博物馆、展览馆等展厅内的文化展品。展览空间内的民间年画已经从私人领域的“生活媒介”转变为带有“可参观性意义”的文化样本,从而实现了民间艺术的现代公共价值,其文化意义的再生产也在当下数字化网络空间中拥有更多可能性。

“Celebrating the New Year and pasting New Year pictures”is a traditional visual phenomenon and cultural behavior of China s folk.However,with the comprehensive modernization of social life and the transformation of modern cultural practice,folk New Year pictures have gradually evolved from cultural articles in the original family field to cultural exhibits in museums,exhibition halls and other exhibition halls.The folk New Year paintings in the exhibition space have been transformed from“life media”in the private domain into cultural samples with“visitable significance”,thus realizing the modern public value of folk art.The reproduction of its cultural significance also has more possibilities in the current digital cyberspace.