《小妈妈》的空间叙事研究

A Study on Spatial Narration of the Movie Petite maman

《小妈妈》由法国导演瑟琳·席安玛指导。影片通过三个层面的空间串联起故事线,并借助多个空间符号完成对空间印象的解构重塑。在现实空间中,通过养老院、轿车、外婆家三个空间展现情感关系的建构过程。在记忆空间中,作为“记忆之场”的“玩具球”和“树屋”推动着亲情镜像的叙事表达,达成观众对于影片的情感认同。在梦境空间中,以“梦中梦”的嵌套叙事将主人公潜意识的内心活动影像化,最终凸显出导演对于女性群体的关注关怀。

Petite maman is directed by Céline Sciamma(French).The film connects the story line through three levels of space,and uses multiple space symbols to complete the deconstruction and reshaping of the space impression.In the real space,through the three spaces of the nursing home,the car,and the grandmother's house,it shows the construction process of the emotional relationship.In the memory space,the toy ball and tree house as the memory field promote the narrative of the mirror image of family affection,so as to achieve the audience's emotional identification with the film.In the dream space,the subconscious inner activity of the protagonist is visualized as a dream within a dream with nested narratives,ultimately highlighting the director's concern for the female population.