从角抵到百戏:从最新秦代考古发现说起

From Wrestling to Acrobatics:A Case Study of Latest Archaeological Discoveries of Qin Dynasty

文章对湖北省荆州市凤凰山70号秦代墓中出土木篦上的角抵图案、秦都咸阳宫遗址壁画中的角抵图案、秦始皇帝陵园K9901陪葬坑新出土30多件陶俑以及秦始皇帝陵大型陪葬墓新发现金属乐舞百戏俑等进行了综合研究,全面总结了秦代角抵的考古最新发现成果。文章对笔者提出的秦始皇帝陵园K9901陪葬坑出土的陶俑应称为角抵俑做了进一步补充,并对角抵到百戏名称的演变从舞蹈史角度做了系统考证。文章认为秦始皇帝陵园K9901陪葬坑应称之为秦始皇帝陵角抵俑陪葬坑较为合理。秦始皇帝陵大型陪葬墓新发现金属质地的乐舞“百戏俑”改称为“角抵俑”更为严谨。

The paper makes a comprehensive study of the latest archaeological findings of the wrestling(Jiaodi) images on the wooden combs unearthed in the tomb of the Qin Dynasty at No.70,Phoenix Mountain,Jingzhou City,Hubei Province,the wrestling images in the murals at the site of Xianyang Palace in the capital of Qin Dynasty,the more than 30 pottery figurines newly unearthed in the K9901 sacrificial burial pit of the Emperor Qinshihuang's Mausoleum Site,and the newly discovered metallic singing and dancing acrobatics(Baixi) figurines in the large-scale accompanying burial tomb of Emperor Qinshihuang.It further supplements the authors' suggestion that the pottery figurines unearthed in the K9901 sacrificial burial pit of Emperor Qinshihuang's Mausoleum Site should be called wrestling figurines and makes textual research on the evolution in appellation from wrestling(Jiaodi) to acrobatics(Baixi) from the perspective of dance history.The paper believes that the K9901 sacrificial burial pit of Emperor Qinshihuang's Mausoleum Site should be called the sacrificial burial pit of the wrestling figurines in the Emperor Qinshihuang's Mausoleum Site.The newly discovered metallic singing and dancing “acrobatics figurines” in the large-scale accompanying burial tomb of Emperor Qinshihuang should be renamed “wrestling figurines”.