现代诗视野中的老舍诗学理想与话语表达

Lao She's Poetic Ideal and Discourse Expression in the Perspective of Modern Poetry

老舍“一生的创作是从旧体诗开始,以旧体诗结束”,期间写有叙事长诗《成渝路上》《剑北篇》等新诗,虽然文坛对其诗歌的整体认同不如小说、话剧,但老舍诗歌中显示出本真的人格气质和诗学理想。他结合自己的创作经验持之以恒地在传统与现代文化元素中寻找中国诗歌的创作路径,并由此形成老舍式思考与见解。老舍在1930年代对诗歌形式与格式、文字与言语、思想与内容等系列问题进行实践性思考,提出“诗是创造的”“人的文调”和“新旧相融”等观点,其理想主义式的命题指向的是作为诗歌创作主体的“人”的意义和价值,对当时诗坛中以“内容”“主题”为创作中心的思潮给予了观念上的补充。老舍对中国现代诗歌理论创建的努力,彰显出其深厚的传统文化涵养与开阔的中西交融视野,在一定程度上也为现代诗歌创作与发展提供了一个方向、指出了一条路径、贡献了一份经验。

Lao She's“lifelong literary creation started and ended with old-style poetry”,during which he wrote new poems such as narrative long poems“On the Road to Chengdu and Chongqing”and“Jianbei Chapter”.Although the overall recognition of his poetry in the literary world is not as good as that of novels and dramas,Lao She's poetry shows a genuine personality and poetic ideals.His unique style of thinking and insights,which results from his persistent efforts to find the path of Chinese poetry creation through traditional and modern cultural elements on the basis of his own creative experience,is worthy of further attention.In the 1930s,Lao She conducted a practical thinking on a series of issues such as poetry form and format,writing and language,thought and content,and proposed viewpoints such as“poetry is created”,“human tone”,and“integration of the old and the new”.In fact,his idealistic proposition pointed to the meaning and value of“human”as the main subject of poetry creation,providing conceptual supplements to the trend of thought in the poetry world with the focus on“content”and“theme”at that time.Lao She's efforts in creating modern Chinese poetry theory have demonstrated his profound traditional cultural cultivation and broad perspective on the integration of Chinese and Western cultures.To some extent,he has also provided a direction,pointed out a path,and contributed an experience for the creation and development of modern poetry.