论延安时期话剧的民族化大众化实践

On the Nationalization and Popularization Practice of Drama during the Yan’an Period

作为“舶来品”的话剧要在中国文艺土壤上扎根并生存发展,“民族化”和“大众化”是它的必经之路。话剧经历了“五四”时期和1930年代的发展,到了延安时期,戏剧工作者们在延安及其他革命根据地进行了一系列的话剧编演实践。与国统区的话剧相比,延安时期解放区话剧的内容和形式更加适应广大底层人民群众的审美趣味。在中国共产党的文艺政策和文艺理论指引下,延安时期话剧开创了文艺服务人民群众、反映时代精神的新方向,延安时期的话剧编演实践为现代话剧的大众化、民族化发展进行了重要而有益的探索。

If“exotic”drama wants to take root and survive in China,“nationalization”and“popularization”are the only route it must take.Drama experienced the development in the“May Fourth Movement”Period,and its development in the 1930s.In the Yan’an Period,drama workers carried out a series of drama practices in Yan’an and other revolutionary base areas.Compared with the drama in the nationalized areas,the contents and forms of the drama in Yan’an period were more suitable for the aesthetic appreciation of the people at the bottom.It can be said that the drama practice in Yan’an period provides an important and beneficial exploration for the popularization and nationalization for modern drama.