以中国山水画之“观法”谈本土建筑空间营造

On the construction of local architecture space based on the“view method”of Chinese landscape painting

中国传统山水画传承千年,经历代文人墨客之手不断丰富其精神内涵而成中华文明瑰宝,融入中国古代哲学、美学之精华,在谈及当下中国本土建筑文化时具有极佳的借鉴意义。从中国传统山水画出发阐述有别于西方的“空间”定义,将古代山水画“三远法”与当代“观法”结合,对本土建筑空间营造进行研究。以王澍的部分建筑实践作品为例,分析其作品对于山水画之“观法”的应用,指出其对于建筑空间营造的启示,探讨基于“如画观法”的建筑实践在本土文化复兴中的意义,以期为本土建筑的空间创作提供借鉴。

China China men of literature and writing have been enriched for thousands of years,and have been enriched by their spiritual connotation.They have become the treasure of Chinese civilization and incorporated into the essence of ancient Chinese philosophy and aesthetics.They have great reference significance in the current China’s local architectural culture.Starting from the traditional Chinese landscape painting,this paper expounds the definition of“space”which is different from that of the West.It combines the ancient landscape painting“three far method”with the contemporary“view method”to study the local architectural space construction.Taking part of Wang Shu’s architectural practice works as an example,this paper analyzes the application of his works to landscape painting’s“view method”,points out its enlightenment to the construction of architectural space,probes into the significance of architectural practice based on“picturesque view”in the local cultural renaissance,in order to provide reference for the local architectural space creation.