论柳永词对《诗经》的接受与化用

On Liu Yong Ci’s Acceptance and Application of The Book of Songs

《诗经》和柳永词在文学史上都占据着重要地位,但由于存在雅俗分野,学界较少注意后者对前者的接受与化用。有宋一代,随着“诗话”这种文学形式的崛起,士人对《诗经》推崇有加,产生了向文学性回归和主体色彩介入的新变。柳永亦深受此风浸染,其词在意象、主题、用典、表现手法等方面,或直接、或间接因袭《诗经》章句、结构,体现了宋代文学在世俗性的回归。

Both The Book of Songs and Liu Yong Ci occupy an important position in the history of literature.However,due to the distinction between elegance and vulgarity,scholars pay less attention to the acceptance and application of the former by the latter.In the Song Dynasty,with the rise of the literary form of“poetry”,scholars praised The Book of Songs,which produced a new change to the return of literature and the intervention of the subject color.Liu Yong was also deeply influenced by this style,and his poems directly or indirectly followed the chapters and structures of The Book of Songs in terms of image,theme,usage and expression techniques,reflecting the return of the Song Dynasty literature to the secular.