悲剧畛域下豫剧《秦豫情》与电影《1942》的表现手法探究

A Research on Expressive Techniques of Henan Opera Relationship between Qin and Yu and the Movie 1942 from the Perspective of the Tragic Realm

悲剧常以故事情节的悲壮性、矛盾冲突的必然性、人物形象的鲜明性而成为影视与戏曲艺术选材的重要主题。豫剧《秦豫情》和电影《1942》的选材背景相同,但故事主线不同,两部作品以不同的艺术表现形式展示了一段浩瀚历史的真实片断,谱写了一曲情真意切的悲剧故事。豫剧《秦豫情》以“逃荒过程”为主线构建了秦豫两地人民张扬性善、包容共生的民族精神。电影《1942》采用双元化、全景式手法展现灾民逃荒的真实过程。两部作品在背景环境、主题色彩、人物语言,音乐制作方面既有异曲同工之处,也有其不同的个性化展现。

Tragedy often becomes an important theme in the movie and television and opera because of the tragic nature of the story,the inevitability of conflicts and the distinctiveness of the characters.Henan opera Relationship between Qin and Yu and the movie 1942 share the same background,but the main line of the story is different.The two works show a true fragment of a vast history in different artistic forms,and compose a true and sincere tragic story.Relationship between Qin and Yu takes the process of escaping from famine as the main line to construct the national spirit of the people to publicize their kindness and tolerance.The movie 1942 uses a dual and panoramic approach to show the real process of victims escaping from famine.These two works have both similarities and differences in background environment,theme,language expression and music production,as well as their different personalized presentations.