感兴美学的艺术符号表征问题初探

A Study on the Symbolic Representation of Art in Ganxing Aesthetics

“兴”和“感兴”是中华古典美学最重要的元范畴,“兴”渗透于中国古代艺术的各种媒介、符号、修辞、文本、形态,表征于中国古代各门类艺术形态之中。感兴美学是中国古典美学一个源远流长的美学传统和博大精深的理论体系。“兴”有起情和譬喻二义,感兴美学包括感物兴情和感兴表征这两个方面。但学界对感兴符号表征研究相对薄弱。文章着力研究感兴美学的符号表征诸问题,以期深化感兴美学研究,推进感兴美学进入中国当代美学和艺术学基础理论。

“Xing”(speaking the other thing first,in order to arouse the chant)and“Ganxing”(It refers to the poetic feelings and thoughts produced by the sensation of objective external objects in the creation of poetry.)are the most important meta-categories of Chinese classical aesthetics.“Xing”permeates various media,symbols,rhetoric,texts and forms of ancient Chinese art,and is represented in various artistic forms of ancient China.The aesthetics of“Ganxing”is a long-standing aesthetic tradition and a broad and profound theoretical system of Chinese classical aesthetics.“Xing”has two meanings:evoking emotion and metaphor,and the aesthetics of“Ganxing”includes two aspects:stimulating feelings inside through things outside and Ganxing representation.However,the academic research on the symbolic representation of Ganxing is relatively weak.This paper focuses on the symbolic representation of Ganxing aesthetics in order to deepen the research of Ganxing aesthetics and promote Ganxing aesthetics to enter the Chinese contemporary aesthetics and the basic theory of art.