摘要
在日本文学中,哀婉与幽玄是独特的审美范畴。哀婉与幽玄代表着对自然细致的感受与抽象化的情感,包含了对自然事物的喜爱、赞赏与无奈。这种复杂的感情融汇在日本的审美意识之中,成了日本文人表达感情的特殊方式。这一方式在永井荷风的笔下尤为显著,他将自然审美作为创作的一部分,通过对自然景色的细致描绘而传递出寂寂哀情,体现出自然审美书写的趣味与价值。
Sadness and seclusion are unique aesthetic categories in Japanese literature.Yongjing Hefeng,a literary master famous for aestheticism,has a detailed feeling of nature.He takes natural aesthetics as a part of his creation,delicately and profoundly describes the natural scenery,and conveys the feeling of silence and sadness.Through the natural aesthetic writing of sadness and seclusion,we can see the aesthetic interest in Japanese traditional literature and explore the spiritual connotation of Nagai Lotus.
作者
袁晓婷
YUAN Xiao-ting(Foreign Languages Department,Wanjiang College,Anhui Normal University,Wuhu 241000,China)
出处
《宜春学院学报》
2023年第5期85-89,共5页
Journal of Yichun University
关键词
哀婉
幽玄
永井荷风
自然审美
pathos
Youxuan
Yongjing Hefeng
natural aesthetics