从案头曲唱到场上演剧——《审音鉴古录》中戏曲活动的场上意识转型

From Singing to Staged Performance:Transformationof Performance Consciousness on Stage in Shenyinjiangulu

《审音鉴古录》是清代中期编订刊刻的昆剧身段谱,它以戏曲选本谱录的形态,记录了昆剧折子戏在这一时期舞台上的演出面貌,为舞台演出提供规范和指导,是清中期戏曲表演档案的代表作。其在记录中呈现了鲜明的场上思想,从演唱规范、身段表演和情节作用三个方面对场上搬演的艺术实践进行记录和指导,集中体现了清代中期戏曲艺术的实践和研究中从案头音乐至场上剧目的转型。

Shenyinjianguhu is one the most importance body scoresin the Qing Dynasty and itis the only woikof its kind that was printed and reprodhuced.It recorded the stage practice of Kunqu duing the mid-QingDynasty comprehensivelyand it provided precise information to the practitioners.This paper will concentrateon how the literature and music practice on the stage isrepresented in the record of Shenyinjianguh.Thispa-perwillshow how this bok recorded the stage practice from threeaspects:fistly,seting the standardlizationof singing on the stage;secondly,ecording body language to accompany the music and literature;and third.ly the theatrical roles in the perfomance.These aspects rellect the transfomation of the practice and study ofthe theatrical arts from singing to staged perfomance in the middle Qing Dynasty.