南宋赵师秀《众妙集》中的唐诗脉络

The Evolution of the Tang Poetry in Zhao Shixiu’s Zhongmiao Ji in the Southern Song Dynasty

赵师秀在《众妙集》中构建了姚贾诗派—大历诗人—山水田园诗派的诗学脉络,这条脉络追溯至姚贾诗派的诗学渊源,并由“妙”贯穿整体。赵师秀推崇姚贾诗派诗歌,其《众妙集》编选的内容及形式都借鉴了姚贾诗派代表姚合的《极玄集》和韦庄的《又玄集》。姚合推崇大历诗人为“诗家射雕手”,而大历诗歌载体的一致性则来源于盛唐山水田园诗派。姚贾诗派、大历诗人以及山水田园诗派诗人的诗作都以五律为主,其源头可上溯至初唐沈佺期对律诗的定型,五律在《众妙集》中的发展轨迹清晰可见。

In his Zhongmiao Ji,Zhao Shixiu presents the poetic evolution from the Poetry School represented by Yao He and Jia Dao,to the Dali Poetry School,and to the Landscape and Pastoral Poetry School.This evolution traces the poetic origin of Yao-Jia Poetry School and highlights the feature of“subtlty”.Zhao Shixiu highly praises the poetry of the Yao-Jia School,and the content and form of Zhongmiao Ji draw inspiration from Yao He’s Jixuan Ji and Wei Zhuang’s Youxuan Ji.Yao He holds Dali poets in high esteem,and the consistency of Dali poetry’s carrier originates from the Landscape and Pastoral Poetry School.In addition,the poems of the Yao-Jia School,the Dali School and the Landscape and Pastoral School are mainly of five-character lines,which can be traced back to the shaping of five-character-line poems by Shen Quanqi in the early Tang Dynasty.The development of poems of five-character lines can be clearly seen in Zhongmiao Ji.