直接转调与变音转调——中国扬琴乐器改革的两种思路

Two Approaches to Reform the Chinese Yangqin:Direct and Chromatic Transposition

20世纪50年代,中国的扬琴乐器改革围绕着半音与转调问题出现了两种改革方式,即“直接转调”与“变音转调”。在之后三十余年的改革历程中,两种改革思路从最初简单的二元对立关系,发展到彼此影响、互取精华,再到相互依赖、协同演化。二者共同实践了对扬琴音位排列的多种可能性,并将中国的扬琴乐器改革推上了一个全新的高度。

In the 1950s,the reform of the Chinese yangqin focused on the issues of semitones and transposi-tion,leading to two approaches:direct transposition and chromatic transposition.Over the next thirty years,these two approaches developed from a simple binary opposition to influencing each other and borrowing from each other's strengths,eventually leading to a symbiotic and synergistic relationship.Together,they explored various possibilities for the arrangement of yangqin notes and elevated Chinese yangqin music to new heights.