母题:《聊斋志异》故事类型与情节单元

Motif:Story Types and Plot Units of Liaozhai Zhiyi

情节单元或母题与叙事序列在故事结构上是同等的概念,当情节单元在文学作品中重复出现时,该情节单元就成为文学创作的母题。通过对《聊斋志异》作品中故事类型与情节单元的考察和分析,可以发现蒲松龄在类型化故事结构的作品中多采用“另构”手法结构故事,“再构”主要运用于非顶层情节单元的构建中,使传奇体小说的创作再度焕发了生机,并且通过对故事类型的解构超越了传奇体小说。

In terms of story structure,the narrative sequences in the text is equivalent to the plot units or motif.When a plot unit repeatedly appears in a literary work,it becomes the motif of literary creation.Through the investigation and analysis of the story types and plot units in the works of Liaozhai Zhiyi,it can be found that Pu Songling often uses the technique of“changing the structure”to construct the story in his works of typed story structures,while“copying the structure”is mainly used to construct non top-level plot units.In this way,the creation of legendary novels was once again been revitalized,and on this basis,he surpassed legendary novels by deconstructing the story types.