摘要
“五更”类民歌是依照古人对“五更”的传统划分而形成的一类时序体民歌。它始于南朝,经唐至五代,到明清时期都有记载。山西“五更”类民歌因其独特的艺术魅力深受群众喜爱,广泛流传于全省各地,且称谓多样。它们在继承“五更”类民歌固有的定格联章的结构基础上,一方面沿袭明清俗曲“银纽丝”“叠断桥”“梳妆台”等曲牌之曲调形成新的风格;一方面融入了山西各地的曲词特点。
The“Wugeng”type folk song is a kind of chronological style folk song formed according to the ancient people’s division of the traditional night.It began in the Southern Dynasty,by the Tang to the Five Dynasties,to the Ming and Qing dynasties are recorded.Because of its unique artistic charm,folk songs of Shanxi“Wugeng”are deeply loved by the masses,widely spread in the province,and the appellation is diverse.On the one hand,they follow the folk tunes of the Ming and Qing dynasties,such as“Yinnusi”,“Folding broken bridge”and“Dressing Table”,and form a new style,on the one hand and into the characteristics of the song and lyric around Shanxi.
作者
王斐
WANG Fei(Shanxi Academy of Arts,Taiyuan,Shanxi,030001)
出处
《山西广播电视大学学报》
2023年第1期93-99,共7页
Journal of Shanxi Radio & TV University
基金
山西省社科院一般课题(YWYB202131)。
关键词
“五更”
“五更”类民歌
山西民歌
称谓
曲调
“Wugeng”
“Wugeng”type of folk songs
Shanxi folk songs
appellation
tune