从“集古”到“集雅”的《名公扇谱》

From"Classic Words"to"Elegant Things":The Theme of The Minggong Fan Manual

《名公扇谱》是明代万历至天启年间的一部版刻画谱,由清绘斋原刻,后被黄凤池的集雅斋收录为《黄氏画谱》八种之一。该画谱以扇形为显要的视觉特征,实则是对“名公”范式的效仿和对“集古”观念的践行。在刊行过程和版权变迁中,扇谱的“集古”意图被改弦易辙于“集雅”的名目之下。《名公扇谱》是一部具有诗意韵味和经典学术性的画谱,又身处于变动的文化情境中,它在优美的外表下调适着“古”与“今”、“雅”与“俗”的分歧。

The Minggong Fan Manual is a version of the painting manual from the Wanli to Tianqi periods of the Ming Dynasty.It was originally carved by the Qing Dynasty painting studio and later included as one of the eight types of“Huang Family Painting Manual”by Huang Fengchi’s Jiyazhai studio.The visual feature of this painting is the fan-shaped shape,which emphasizes the imitation of the“Minggong”paradigm and the practice of the“collecting the classic works”concept.In the process of publication and copyright changes,the intention of“collecting the classic works”in the fan manual has been changed under the name of“collecting the elegant things”.The Minggong Fan Manual is a painting with poetic charm and classic academic significance,but in a changing cultural context.Under the beautiful appearance,it deals with the differences between“ancient”and“modern”,“elegant”and“vulgar”.