以汉唐舞《踏歌》为例谈古代舞蹈形式“踏歌”的传承与发展

On the Inheritance and Development of the Ancient Dance Form"Ta Ge"by Taking the Chinese Classical Dance of Ta Ge as an Example

汉唐古典舞《踏歌》是北京舞蹈学院创于20世纪90年代的经典女子群舞,是编导孙颖先生通过参考文物中的舞蹈形象资料编创而成的,蕴含了浓厚的历史文化形态。作品《踏歌》既是历史的综合形态体现,也是魏晋南北朝时期社会文化的集中展现,更是古代审美在现代肢体语言上的创造性复现。本文以最初版的《踏歌》为基础,剖析其独有的时代审美特性及典型特征。并结合作品的传播,兼谈“踏歌”这一古老歌舞形式的传承与发展。

The Chinese classical dance Ta Ge in the Han and Tang Dynasties is a classical group dance of women created by Beijing Dance Academy in the 1990s.It was created by the choreographer Sun Ying via referencing to dance image materials from cultural relics,and contains a rich historical and cultural form.The masterpiece Ta Ge is not only a comprehensive embodiment of history,but also a concentrated display of social culture between Wei,Jin,Southern Dynasties,Song,Qi,Liang and Chen,and also a creative reappearance of ancient aesthetics in modern body language.This paper intends to analyze its unique aesthetic characteristics and typical characteristics of the times on the basis of the original version of Ta Ge.In combination with the spread of the works,the paper also explored the inheritance and development of the ancient singing and dancing form of“Ta Ge”.