摘要
文章源于作者参与的电影《狼图腾》筹备与拍摄创作感悟,该影片由法国著名导演让·雅克·阿诺指导,改编自我国作家姜戎的同名小说《狼图腾》。阿诺导演作品追求还原真实感,朴实无华的镜头捕捉到的影像具有直抵人心的力量。在影片的创作过程中,电影概念设计是构建影片视觉元素、影像基调的重要制作环节,文章结合实际拍摄从影像与叙事角度解读电影视觉化的创作方法。
This article is based on the author's experience in the movie"Wolf Totem".The film was directed by the famous French director Jean-Jacques Annaud and adapted from the novel of the same name by Chinese writer Jiang Rong.Annaud's film pursues the restoration of realism,and the plain and simple shots captured have the power to reach the mind of the audience.In the process of creating the film,the concept design of the film is an important production process for building the visual elements and image tone of the film.This article combines practical filming to interpret the visual creation method of the film from the perspective of image and narration.
作者
麻厚浩
Ma Houhao(Beijing Institute of Fashion Technology School of Fashion,Beijing 100029,China)
基金
2021年度国家社科基金艺术学重大项目“中国戏曲服饰研究”子课题一:中国戏曲服饰发展变迁研究—宋代至清代(批准号:21ZD14)阶段性成果。
关键词
电影美术设计
视觉元素
叙事语言
film art design
visual elements
narrative language