21世纪以来俄罗斯的中国绘画研究

Research on Chinese Painting in Russia since the 21st Century

苏联解体后,尤其是迈入21世纪以来,外部环境的变化给俄罗斯的中国绘画研究营造了新的语境。得益于21世纪以来艺术传播媒介的发展,汉学家们能够更加便利地获取作品,因此研究的兴趣普遍从绘画理论转向了绘画作品。研究视野的拓展,使得不少汉学家从跨学科、跨文化的角度审视中国绘画,对于欧美的最新文艺理论也表现出一定程度的关注。从研究时间段来看,这一阶段俄罗斯汉学家普遍专注于对清代绘画作品的研究,形成了不少科研成果。从研究队伍结构来看,研究圈内部出现了明显的人才断层现象,与此同时,大众对中国艺术的热情不断上涨,为培养新的汉学家创造了良好的条件。

After the disintegration of the Soviet Union, in particular since the 21st Century, changes in the external environment have created a new environment for research on Chinese painting in Russia. Thanks to the development of media that has helped spread art since the 21st Century, sinologists are able to observe artworks more conveniently, turning their focus of research from painting theories to artworks. The expansion of research has enabled many sinologists to examine Chinese paintings from an interdisciplinary and cross-cultural perspective, and they have shown interests in latest literary and art theories in Europe and the United States as well. At this stage, Russian sinologists generally focus on paintings created during the Qing Dynasty(1636-1912) and have yielded fruitful results in this regard. However, there is an obvious gap among researchers;but the public's increasing enthusiasm for Chinese art has created good conditions for fostering new sinologists.