摘要
佩雷与柯布西耶是20世纪初期建筑史绕不开的一对师徒,他们作品理念之间的差异,反映了现代主义建筑师对于布扎设计体系的批判与扬弃。通过比较1923年佩雷设计的高特宅与1926年柯布西耶在比利时建造的吉埃特宅,尝试从设计方法的角度阐述“建筑物体”之于布扎体系中“剖碎”的转置,从而建立批判、继承而非革命、割裂看待古典同现代主义建筑关系的视角。
Auguste Perret and Le Corbusier were among most important architects in the early 20th century,and the differences between their works reflect the critiques of and departure from Beaux-arts design system by Modern architects.This paper tries to compare Casa Gaut with Guiette House,designed respectively by Perret in 1923 and Le Corbusier in 1926,to explain the relationship between“Architectural objects”and“Poché”,and establishes a position that views the relationship between Classical and Modern architecture as continuation rather than revolution.
出处
《建筑学报》
北大核心
2023年第6期104-108,共5页
Architectural Journal
关键词
柯布西耶
佩雷
剖碎
布扎
建筑物体
Le Corbusier
Auguste Perret
Poché
Beaux-Arts
architectural object
