摘要
当造物形式与尺度脱离了生活需求时,就会变异为纯粹精神之物。漆艺作为一种源远流长的造物文化现象,在不同历史条件下不断产生变体,从早期生活实用之物已然发展形成了现代之独立艺术画种——漆画。在观念性层面,现代漆画家更为注重形质内在的深层思考,努力追求纯粹的精神境界,而非完全停留在漆工艺层面;但漆画的观念化倾向也迫使当代漆艺越来越走向“架上艺术”,而远离生活实用。
When forms and dimensions of creation deviate from the daily necessities,it will mutate into pure spiritual objects.Lacquer art,as a long-standing cultural creation,has constantly produced variations under different historical conditions,and has evolved from early practical utensils into modern independent art form of lacquer painting.Conceptually speaking,modern lacquer painters pay more considerations to its intrinsic form and property,striving to pursue a pure spiritual realm,rather than completely focusing on the lacquer craftsmanship.However,the conceptualization trend of lacquer painting has also forced contemporary lacquer art to develop increasingly towards“shelf art”for appreciation rather than for the practical use in daily life.
作者
王瑞芹
WANG Ruiqin(School of Fine Arts,Jiangsu Normal University,Xuzhou,Jiangsu 221116,China)
出处
《贵州大学学报(艺术版)》
2023年第4期35-41,共7页
Journal of Guizhou University Art Edition
关键词
漆画
工艺
观念
精神态
lacquer painting
craftsmanship
concept
spiritual state