在场·感知·阐释:当代舞蹈剧场的打开方式

Presence, Perception and Interpretation: Means of Appreciating Contemporary Dance Theaters

当代舞蹈剧场对于“剧场性”和“展演性”的探索使舞蹈从复述文学和影视的第二性地位中解放出来获得自律,观众必须改变原有的观演习惯,对此,可通过在场、感知和阐释这三种方式打开舞蹈剧场,让身体绝对在场地介入演出,在感知的全面作用下去感受和经历剧场,作为意义的共同建构者阐释并生成意义,获得个人化的观演体验。

The exploration of the contemporary dance theater in terms of“theatricality”and“performance”liberates dance from the secondary status to gain its self-discipline,instead of as a means to retell the stores in literature,film and television,and thus the audience must change their original watching habits.Therefore,the dance theater can be appreciated through presence,perception and interpretation,as the body can absolutely participate in the performance on the site,and feel and experience the theater ambience under the overall effect of perception to construct,interpret and generate the meanings,and thus gain a personalized visual experiences.