宋代陶瓷技术方法的哲学探赜

Philosophical Research on Ceramic Technologies and Methods in the Song Dynasty

宋代是借助陶瓷技术方法达成哲学诉求的典范时代,其陶瓷技术方法的使用与创新背后有着清晰明了的哲学认知逻辑。讲求技巧的刻划技术和讲求国画风格的装饰技术在宋人哲学孕育下变成了追求“自然本我”的鬼斧神工,曾经的窑病瑕疵在宋人哲学视野中变成了“自然天成”的窑宝,被隋唐斑斓色彩遮蔽的单色釉在宋人哲学追求下成为“性理主义”的精神寄托。总体来看,宋代陶瓷技术方法意欲达成的最高哲学境界是“天人合一”。

The Song Dynasty was a classic era of achieving philosophical pursuits through the application of ceramic technologies and methods. There was a clear and distinct philosophical cognitive logic behind the application and innovation of these ceramic techniques.The carving techniques stressing skills and the decorative techniques featuring traditional Chinese painting styles were manifested through extraordinary craftsmanship with a pursuit of “natural noumenon” under the influence of the Song philosophy. Even ceramics with flaws, caused during the firing process in kiln, were regarded as “heavenly bestowed” precious works in the philosophical vision of the Song people. The monochrome glazes, once overshadowed by the polychrome glazes of the Sui and Tang Dynasties, became a spiritual support for the“NeoConfucianism”in the philosophical pursuits of the Song people. Overall, the highest philosophical level that the ceramic techniques of the Song Dynasty sought to achieve was the “harmony between man and nature”.