空中楼阁上帝阙——通海秀山玉皇阁考察

Jade Emperor Palace in the Air:Exploring the Yuhuangge Building Complex on Xiushan in Tonghai,Yunnan

通过建筑群的流线组成与视线分析,讨论玉皇阁“天上宫阙”的设计意匠;重点考察山门区域,观察如何使用建筑语言实现“云层”的营造以及穿云驾雾的体验;在“云层”区域中,通过对雕龙与云纹等石刻主题的考察,对重要建筑节点“玄真天上坊”在地震后的改造进行建筑考古;讨论主殿红云殿构架的组成与改造史。最终,结合碑文等文献,构架出寺庙的改造史与佛道轮回的使用史。通过玉皇阁一例,侧面得见云南通海在历史上虽处边疆,但作为中央政权文化输出的节点后,儒释道信仰交融、文化繁盛的景象。

The article discusses the design concept of the“Palace of Heaven”of the Yuhuangge through route composition and line of sight analysis.It also focuses on the gate area,analyzing how architectural language was used to create a sense of walking through clouds and fog.Building archaeology is carried out on the“Xuanzhen Tianshang Fang”space node,examining stone carving themes such as dragon carving and cloud patterns.A structural study is also conducted on the main hall,Hongyun Hall,discussing its basic reconstruction history based on observation of the structural frame.Finally,the reconstruction history of the temple and the changes in its use between Buddhists and Taoists are reconstructed based on information from inscriptions and other local documents.The findings suggest that,despite its location on the empire’s frontier,Tonghai played a significant role in the cultural output of the central government and has a mixed culture of Confucianism,Buddhism and Taoism.