臻于自由的审美--庄子“乘物以游心”的审美阐释与艺术探寻

The Artistic Interpretation and Aesthetic Expansion of Zhuangzi s Theory of“Traveling in the Heart of Things”

作为道家的重要代表,庄子提出了一系列具有原典意义的哲学命题,以此奠定了道家美学的理论基础。为了摆脱物化,达到自由的审美境界,庄子以逍遥为道家美学的最高范式,将“虚己以游世”作为人格修养的具体途径,又以“乘物以游心”作为审美主体走向审美境界的必由之路,使人从异化回归自我本真存在,渐臻“至美至乐”的自由之境和“御物”“体道”的“大美”境界。庄子将道家美学推向了中国古典美学的第一次理论高峰,也为中华优秀传统文化奠定了坚实的艺术理论基础。

Zhuang Zi,as one of the originators of Taoist theory,put forward a series of propositions and categories with classical significance and philosophical value,thus laying the theoretical foundation of Taoist philosophy and aesthetics.He took“free and unfettering”as the highest form of Taoist aesthetics,took“virtual self to travel to the world”as the specific way of personality cultivation,and took“taking things to travel to the mind”as the aesthetic subject to the state of aesthetic clarity,and finally reached the highest state of“free and unfettering”of“royal objects”and“body way”.Zhuangzi pushed Taoism aesthetics to the first theoretical peak of Chinese classical aesthetics,and also laid a solid artistic theoretical foundation for Chinese excellent classical culture.