穿越时空的碰撞:《白鹿原》中的民俗事项及其文化内涵

Collision Through Time and Space:Folk Matters and Cultural Connotation in Bai Lu Yuan

陈忠实的小说《白鹿原》给予当代读者的,不仅仅是广袤无垠的关中大地上波澜壮阔的历史画卷,还有新文化与旧秩序穿越时空的碰撞。祠堂和戏楼里,旧秩序与新文化的冲突、中西文化的冲突正在上演;白鹿神话与梦境体现了中国传统知识分子对传统文化的依恋、敬畏、怀念与希冀。人们试图通过“风水”“灵魂”“祀公”“马脚”与上天交流,以期达到天人合一的关照。《白鹿原》中的种种民俗事项间的激烈冲突,是中西文化、传统与现代文化穿越时空时的必然碰撞。

Chen Zhongshi's novel Bai Lu Yuan gives contemporary readers not only the magnificent historical picture of the vast Guanzhong land,but also the time-traveling cultural collision.In ancestral halls and opera houses,the conflict between the old order and the new civilization,the conflict and communication between Chinese and Western cultures are well under way.The myth and dream of Bailu reflect the attachment,awe,nostalgia and hope of Chinese traditional intellectuals to traditional culture.People tries to communicate with heaven through geomantic,sorcery,in order to achieve the care of the unity of heaven and man.The fierce conflicts among various folk events in Bai Lu Yuan are the inevitable collision between Chinese and Western culture,tradition and modern culture when they travel through time and space.