琴“身”何塑——毕旺琴的造琴观念与制作实践

How to Shape the“Body”of the Bewang Qin:Focus on the Conception and Practice of Making Bewang Qin

在弦子艺术的特殊场景之下,毕旺琴作为一把木质的“器”,是艺术享有者演绎传世旋律及多维情感的媒介,更是弦子艺术思想、审美体系、文化内涵等无形之“体”的有形表现,继而构成琴乐塑造的整体性声景。毕旺琴在人与社会的形塑之下,琴的意义和审美理念呈现出人们理解自然、社会的观念图景,琴的持有者不断能动适应着时代发展,对琴的意义内涵不断赋予新的内容,经双向互动和相互交织,使得社会建构了琴,琴构成了社会。

Bewang Qin,as a wooden instrument,is a medium for the artist to interpret the wide-spreading melodies and multi-dimensional emotions in the special scence of Xianzi art.It is also the tangible expression of the intangible“body”of Xianzi’s artistic thought,aesthetic system and cultural connotation,which constitutes the integral soundscape of Bewang music.Under the shape of people and society,the meaning and aesthetic concept of the Bewang music show the conceptual approach of people to understand nature and society.The players of Bewang Qin constantly adapt themselves to the development of times and endow the new content to the meaning and connotation to the music instrument.Through two-way activities and interweaving,the society shapes the Bewang Qin and its music and the music instrument with its melodies adapt to the society.