“救亡”与“启蒙”的双重奏:试论20世纪初中国设计美学的现代语境

The Dual Play of"Salvation"and"Enlightenment":on the Modern Context of Chinese Design Aesthetics in the Early 20th Century

20世纪初中国设计的发展一直伴随着“救亡”与“启蒙”交织重奏的时代总基调,从晚清“经世致用”思想影响下现代设计美学意识的建构,到辛亥革命后现代主义设计影响下中西合璧的设计美学风貌,再到新文化运动设计美学中现代性、民族性、世界性的交融碰撞,使得整个中国近现代设计美学呈现出古今中外、兼容并蓄的风格与面貌。

At the beginning of the 20th century,the development of Chinese design has been accompanied by the general tone of the era of"Salvation"and"Enlightenment".From the construction of modern design aesthetic consciousness under the influence of the practical thought of the late Qing Dynasty,to the design aesthetic style of combining Chinese and Western styles under the influence of the postmodernism design of the Xinhai Revolution,to the blending and collision of modernity,nationality and cosmopolitanism in the design aesthetics of the New Culture Movement,making entire modern and contemporary design aesthetics of China present an inclusive style and appearance from ancient to modern times,both at home and abroad.