李邕书风研究评议

View on the Study of Contemporary Li Yong's Calligraphy

目前在李邕书法研究中,涉及书风成因探讨、作品风格品评、书法接受等多个方面,普遍采取了图文互证的方法。由于图像与文本的不对称,导致了研究者对其书风的认识不够全面,错误地认为李邕书法有统一的风格,但从唐代独尊王羲之与行书入碑的风尚角度重新审视,不难发现李邕书法呈现出完全不同的两种风格,即手札书风与碑版书风。造成今日之局面的原因可以总结为李邕书法研究文献散乱、历史境遇尴尬、书法临习难度较大、书法教育环境、书法传播等五个方面。

The research,currently,related to Li Yong’s calligraphy mostly employed the method of mutual verification between images and texts to explore the cause of the calligraphy style,the evaluation of the artwork style,and the acceptance of calligraphy.Due to the asymmetry between the image and the text,the researchers did not have a comprehensive understanding of the style of writing,and wrongly believed that Li Yong's calligraphy had a unified style.However,it is not difficult to find that Li Yong’s calligraphy presents two completely different styles,including the style of handwritten calligraphy and the style of the inscription on the stele while re-examined from the perspective of the two fashions of advocating Wang Xizhi in the Tang Dynasty and using running script to write steles.Five reasons could be reflected in the current situation regarding the investigation of Li Yong’s calligraphy,including the sparse literature on Li Yong’s calligraphy,the dilemma of the historical situation,the difficulty of the calligraphy practice,the educational environment of calligraphy,and the dissemination of calligraphy.