“内爆”:演艺产业对表演艺术的重构

"Implosion":the Performing Arts Industry's Reconstruction of the Performing Arts

文化产业产品研究中的一个重要概念是法国理论家让·鲍德里亚提出的“内爆”。在文化与经济、政治等相互渗透、融合的背景下,演艺产业重构了表演艺术,通过表演艺术中主导要素(演员、作品、剧场)的“去中心化”,破除了艺术家与观众、一元与多元、真实与虚拟之间的界限。演艺产业的这种“内爆”,主要通过开放性重构剧场性、非线性叙事重构叙事性、真实性重构虚拟性来实现。因此“,内爆”理论可以有效解释演艺产业的文化表征,但中国演艺产业的实践也有助于我们反思该理论的过激性:“内爆”扩展、稀释了表演艺术的美学特征,同时赋予表演艺术的美学-文化特性以新的形式。

Under the background of the mutual penetration and integration of culture,economy and politics,the performing arts industry restructures the performing arts.Through the"decentralization"of the leading elements(actors,works and theaters)in the performing arts,the boundaries between artists and audiences,between monistic and pluralistic,and between real and virtual are broken.Such"implosion"of the performing arts industry is mainly realized through the reconstruction of openness and theatricality,the reconstruction of non-linear narrative and the reconstruction of reality and virtuality.Therefore,the theory of"implosion"can effectively explain the cultural representation of the performing arts industry,but the practice of China's performing arts industry also helps us to reflect on the excesses of the theory:"Implosion"expands and dilutes the aesthetic characteristics of the performing arts,but it does not completely cancel but endows the aesthetic and cultural characteristics of the performing arts in a new form.