象征主义的三重图景——以《19世纪西方文学思潮研究》为例

Symbolist Threefold Scenes : A Case Study of The Study of Western Literary Trends in the 19th Century

象征主义文学研究经久不衰,但完整的象征主义文学思潮史研究在国内学界仍颇有欠缺。蒋承勇总主编的《19世纪西方文学思潮研究》的第五卷《象征主义》全面呈现了象征主义文学群体的历史演变,将象征主义文学发展史置于世界主义与民族主义的视角下,揭示了象征主义破坏与再造的双重价值属性。通过三重图景的呈献,该书在深度和广度上推进了我国象征主义思潮的研究。

The study of Symbolist literature has endured for a long time,but a complete history of Symbolist literary thoughts is still in absence in domestic researches of this field.The book Symbolism,the fifth volume of The Study of Western Literary Trends in the 19th Century,edited by Jiang Chengyong,comprehensively presents the historical evolution of symbolist literary groups,puts the history of Symbolist literature in depth from the perspectives of cosmopolitanism and nationalism,and reveals both the destructive and reconstructive attributes of Symbolism.This paper mainly analyzes the Symbolist threefold scenes presented in this monograph,and thus discusses the new research basis and research trend of Symbolist literary thoughts.