曲阜孔庙清雍正铜胎画珐琅五供来源考

Research on the Origin of Five Sacrificial Objects of Copper Core Painted Enamel of Qufu Confucius Temple during Qing Dynasty of Yongzheng Period

以孔子博物馆藏曲阜孔庙黄地彩绘缠枝牡丹纹铜胎画珐琅五供为研究对象,在查阅《清实录》、内务府造办处档案、雍正朝谕旨、孔府档案等大量文献资料基础上,详细考证了它制作的历史背景、谕旨制作时间及流程、御赐流传经过,明确了其作为御赐祭器以供孔庙大成殿祭祀孔子的特殊属性,该套器物的制作同时也是雍正皇帝尊孔,特别是孔庙遭雷火后,谕仿皇宫之制重建以垂永世的重要组成部分。

This paper takes the yellow ground interlocking tree-peony painting five sacrificial objects of copper core painted enamel in Confucius Museum as the research object.After investigating several historical literature like The Veritable Records of The Qing,Imperial Household Department Workshops files etc.,the author makes a detailed research on the historical background,the time and process of the production,and the transmission as imperial gift of the five supplies of the painted enamel.Also,the author clarifies their special functions as the sacrificial vessel for Hall of Great Consummation of the Confucius Temple.The production of this set of vessels is also an important part to show the emperor Yongzheng's respect of Confucius,which is an important part of the reconstruction of Confucius Temple after it was damaged by lightning.