摘要
声音以它不可捉摸的存在方式牵引着受众的注意力,推动着人们的感知建构。研究从认识论、符号学的角度对影视声音聆辨活动进行系统分析,并发现主体与客体存在着一种互构关系,主体在感知并建构影视声音客体时,因其主体性作用会导致建构的客体呈现多样化的特点;影视声音客体由于其形态的特殊性具有隐性推动主体建构的特征。此外,主客体各自的客体性存在使主客体间永远无法融合,从而使主体始终处于不断解除自身中心化的行动中,而客体建构同时存在于此行动中,这是影视声音聆辨整合活动的一体两面,并体现着二者深刻的互构关系。
Sound,with its unpredictable existence,draws the attention of the audience and drives people's perception construction.The study systematically analyzes the activities of film and television sound recognition from the perspectives of epistemology and semiotics,and finds that there is an interactive relationship between the subject and the object.When the subject perceives and constructs the sound object of film and television,its subjectivity will lead to the diversification of the constructed object.The sound object in film and television has the characteristic of implicitly promoting the construction of the subject due to its unique form.In addition,the objective existence of each subject and object makes it impossible for the subject and object to merge,thus keeping the subject constantly in an action of self centeredness,and the construction of the object also exists in this action.This is the two sides of the integration activity of film and television sound recognition and reflects the profound mutual construction relationship between the subject and the object.
出处
《北京文化创意》
2023年第3期52-59,共8页
Beijing Culture Creativity
关键词
聆辨
源客体
情境性
受众分划
隐性
Listening Analysis
Raw Sound Object
Situational
Audience Segmentation
Recessiveness