川剧的跨界传播与跨文化发展研究——以双钢琴《川剧集锦》为例

Research on the Interdisciplinary Communication and Cross-cultural Development of Sichuan Opera——A Case Study of the Dual Piano Performance The Photomontage of Sichuan Opera

作为中国首批非物质文化遗产,川剧是中国最具代表性的传统戏剧之一。其丰富多样的声腔艺术、独一无二的身段技艺更是值得大力推广和传承的文化艺术瑰宝。双钢琴作品《川剧集锦》立足于传统川剧,用双钢琴这一全新的艺术表现形式进行川剧文化的传承、演绎与创新。文章以《川剧集锦》的融合创新为切入点,从传统戏剧发展、非遗传承所面临的历史局限、空间辖制和传播困境出发,对川剧的跨界传播与跨文化发展途径进行研究,旨在通过成功的跨界案例探讨可行的跨界传播方式,使川剧的艺术生命力得到继承、发扬和延续。

As one of the earliest intangible cultural heritages in China,Sichuan Opera stands as a highly representative form of traditional drama.Its extensive vocal art and distinctive physical techniques serve as invaluable cultural treasures that warrant active promotion and preservation.Building upon the foundations of traditional Sichuan Opera,the dual piano composition The Photomontage of Sichuan Opera seeks to carry forward,interpret,and innovate the Sichuan Opera culture through the unique artistic expression of dual pianos.This article focuses on the fusion and innovation presented in The Photomontage of Sichuan Opera to delve into the cross-border communication and cross-cultural development of Sichuan Opera.Addressing the historical limitations,spatial constraints,and dissemination challenges that hinder the preservation of intangible cultural heritage,the objective is to explore feasible methods of crossborder communication by examining successful cross-border initiatives.By doing so,the aim is to guarantee the continuous artistic vitality of Sichuan opera through its inheritance,promotion,and sustainable development.