黑漆描金工艺与屏风的结合——以《海山仙馆》图景八扇屏为例

Combination of Blacklacquer Gold Outlining Process and Folding Screen

髹漆工艺发展到明清时已达到高峰,在众多漆器品种中,黑漆描金又因其富丽堂皇深受皇家偏爱。《海山仙馆》图景八扇屏乃清代晚期黑漆描金家具代表之一,为世人呈现了两三百年前“黑漆描金”的精妙工艺,其所绘海山仙馆更是清代岭南第一名园。本文将以海山仙馆图景八扇屏为研究对象,结合清代宫廷绘画中的黑漆描金家具,考察描金工艺特色与发展历程,并以此为基础,探析海山仙馆屏绘画的艺术表现,挖掘屏风绘画和黑漆描金工艺背后的艺术价值和意涵。

This article takes eight-leaf folding screen engraved with Painting of Sea Mountain and Fairy Residence as the research object.With reference to black-lacquer gold-outlined furniture shown in the imperial palace paintings of the Qing Dynasty,this article probes into the characteristics and development process of gold outlining technology.On this basis,this article focuses on the artistic expression of eight-lear folding screen engraved with Painting of Sea Mountain and Fairy Residence,and explains the artistic value and connotation of this screen painting and black-lacquer gold outlining technology.