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南宋越窑低岭头类型青瓷的材料和艺术审美研究

A Study on Materials and Artistic Aesthetics of Celadon of Yue Kiln in the Southern Song Dynasty
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摘要 随着越窑考古工作的深入,特别是窑址的调查、发掘工作持续推进,南宋越窑的面貌得以清晰呈现,其产品除传统越窑青瓷以外,还有一种与北宋晚期的汝窑御用瓷器相似的乳浊釉青瓷,称为“低岭头类型”,本文通过文献查阅、遗址调查发掘报告解读的方式,结合釉药学研究、两宋审美探究,试说明浙江原生材料是烧造乳浊釉青瓷的基础条件及宋室审美决定南宋青瓷的发展及高度。 With the deepening of archaeological work on the Yue kiln,especially the continuous advancement of the investigation and excavation of the kiln site,the appearance of the Yue kiln in the Southern Song Dynasty has been clearly presented.In addition to the traditional Yue kiln celadon,there is also a type of opaque glaze celadon similar to the imperial porcelain of the Ru kiln in the late Northern Song Dynasty,known as the "Dilingtou type".This article is based on literature review,interpretation of site investigation and excavation reports,combined with glaze pharmaceutical research,and aesthetic exploration in the Song Dynasty,This article attempts to illustrate that Zhejiang's primary materials are the basic conditions for firing opacified glaze celadon,and that the aesthetic appreciation of the Song Dynasty determines the development and height of celadon in the Southern Song Dynasty.
作者 傅菲菲 Fu Feifei(Zhejiang Vocational Academy of Art,Hangzhou,310000)
出处 《陶瓷研究》 2023年第3期35-37,共3页 Ceramic Studies
基金 2022年度浙江艺术职业学院“宋韵文化”科研专项课题(第二批)(编号:SY202204020)。
关键词 低领头类型 乳浊釉 塞格尔式 艺术审美 Dilingtou type Opaque glaze Seger formula Artistic aesthetics
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