(1949-2019)当代中国陶瓷艺术的绘画性探析——以景德镇为例

Painterly Analysis of Contemporary Chinese Ceramic Art(1949-2019)——Taking Jingdezhen as an Example

本文研究的指向是从新中国成立至新时代发展时期的陶瓷艺术变迁与审美倾向的演变,景德镇陶瓷艺术作为中国陶瓷史上最为璀璨的部分,其装饰变革对当下陶瓷艺术走向产生着重要影响,景德镇因其独特的地域性和人文特色,在彩绘的发展历程中促使着装饰逐渐向绘画延伸,正如清末浅绛彩瓷绘从陶瓷装饰的束缚中崭露风采,象征着陶瓷装饰性与绘画性并存,并独立衍生出陶瓷绘画这一新的艺术形式。文章尝试从陶瓷装饰性的变化、重建及跨越到独立绘画性这一独特的艺术现象进行分析与归纳,梳理其存在的价值与理念。

This paper focuses on the evolution of ceramic art and its aesthetic tendency from the founding ceremony of the People's Republic of China era to the new era.Jingdezhen ware art is one of the most brilliant parts in the history of Chinese ceramics,its decorative changes have had an important impact on the trend of contemporary ceramic art.Due to its unique regional and cultural characteristics,Jingdezhen gradually extended its decorative art to painting in the course of the development of color painting,as the late Qing dynasty shallow Jiang color ceramic painting from the ceramic decoration in the bondage of style,a symbol of ceramic decoration and painting coexist,and independently derived from the ceramic painting of this new art form.This paper tries to analyze and summarize the unique artistic phenomenon of ceramic decoration from its change,reconstruction and leap to independent painting,and comb out its existing value and idea.