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新中国景德镇青花绘画的发展

The Development of Blue and White Painting in Jingdezhen in the People's Republic of China
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摘要 新中国青花绘画是陶瓷绘画的重要内容之一,青花绘画创作者从多元身份通过政府改造成为有着明确单位属性的单一身份,再到改革开放之后从单一身份走向多元,伴随着青花绘画创作者的身份变化,青花绘画在表现技法上不断发展,从传统分水到与水墨画的结合,从绘画到剔刻,再到各种肌理的制作,营造出风格多样的青花绘画面貌,使青花绘画成为重要的陶瓷绘画形式之一。 Blue and white painting in the People's Republic of China is one of the important contents of ceramic painting.The creators of blue and white painting have transformed from multiple identities through government transformation to a single identity with clear unit attributes,and then moved from a single identity to multiple identities after the reform and opening up.With the changes in the identity of blue and white painting creators,blue and white painting has continuously developed in expression techniques,from traditional water separation to the combination with ink painting,from painting to carving,The production of various textures creates a diverse style of blue and white painting,making blue and white painting one of the important forms of ceramic painting.
作者 丁传国 梁巍瀚 Ding Chuanguo;Liang Weihan(Jingdezhen Ceramic University,Jingdezhen,333403)
机构地区 景德镇陶瓷大学
出处 《陶瓷研究》 2023年第3期88-91,共4页 Ceramic Studies
基金 江西省社科“十三五”(2019)规划项目——《中国艺术陶瓷发展研究(1949—2019)》阶段性成果(项目编号:19WT19)。
关键词 新中国 景德镇 青花绘画 New China Jingdezhen Blue and white Painting
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