摘要
现代陶艺在中国起步稍晚,但却有着蓬勃的生命力,它融合着众多学科的艺术语言和艺术形态,但“各殊而体一”,形与神不可分离,本文将从“形”与“神”两个方面来阐述现代陶艺的精神内涵。
Modern ceramic art started a little late in China,but it has a vigorous vitality.It combines the artistic language and artistic form of many disciplines,but "each is unique and the body is one".Form and spirit cannot be separated.This article will elaborate the spiritual connotation of modern ceramic art from two aspects:"form" and "spirit".
作者
陈赛杰
Chen Saijie(Hutian Ceramic Community,Jingdezhen,333000)
出处
《陶瓷研究》
2023年第3期117-119,共3页
Ceramic Studies
关键词
现代陶艺
形
神
Modern ceramic
Art Shape
Spirit