摘要
本文为以两宋时期的青白瓷为线索,来探析景德镇青白瓷中之精品影青雕刻瓷。青白瓷出现在两宋时期,宋代非常流行的青白瓷,被称之为假玉器,青白瓷白中显青,釉色好似蜻蜓碧水般纯净,胎体洁白而细腻,刻花处肌釉更显青绿,浅处则过于泛白,凝动又自然,它的釉面莹润质感如玉,青白瓷大多胎体轻薄装饰。以刻花为主,对着光线可见清影,阳光微微透过釉面暗雕花纹若隐若现,如此也有了“影青”这个充满诗意的名字。影青瓷的前身是宋代六大瓷器之一的青白瓷,雕刻是影青瓷装饰的主要手法,本文就影青瓷工艺技法的特点和当代影青雕刻瓷的广泛运用进行研究。
This article takes the blue and white porcelain from the Song Dynasty as a clue to explore the exquisite Yingqing carved porcelain in Jingdezhen's blue and white porcelain.Blue and white porcelain appeared during the Song Dynasty,which was a very popular type of blue and white porcelain.It was called a fake jade artifact.The blue and white porcelain showed a clear blue color in the white,and the glaze color was as pure as clear water.The body of the glaze was pure and delicate,with the engraved area showing a more green color.The shallow area was too white,and it was both condensed and natural.Its glaze surface was as smooth as jade,and most of the body of the blue and white porcelain was decorated with a light and thin body.Mainly based on carving flowers,clear shadows can be seen in front of the light,and the sunlight slightly penetrates the glazed surface with faint carved patterns,giving rise to the poetic name "Yingqing".The predecessor of shadow blue porcelain was one of the six major porcelain pieces of the Song Dynasty,known as Qingbai Porcelain.Carving was the main technique for decorating Shadow Blue Porcelain.This article studies the characteristics of Shadow Blue Porcelain craftsmanship and the widespread use of contemporary Shadow Blue Carving Porcelain.
作者
刘丹
Liu Dan(Yuan Zhen Porcelain House Ceramic Studio,Jingdezhen,333000)
出处
《陶瓷研究》
2023年第3期144-146,共3页
Ceramic Studies
关键词
青白瓷
影青
雕刻
Celadon white porcelain
Y ing Qing
Carving