冲淡平和:论宋人对宋瓷纯色釉的审美心理

Light and Calm:on the Aesthetic Psychology of the Song People towards the Pure Color Glaze of Song Porcelain

色彩是情感的语言,瓷器釉色是一门独立的语言艺术,宋人对之的赏玩体会表现出不同阶层间的差异性,反映了宋代多元化的审美心理。本研究从宋代社会三个代表阶层出发,通过他们使用瓷器釉色的不同选择,结合各阶层所处社会文化背景,分析宋人的审美心理特点,进而对宋人的精神世界有一定认识。研究发现:以宋徽宗为代表的宫廷阶层受道教影响用青色釉瓷器领悟道法;士大夫阶层受社会与三教合流思想环境影响用白色釉瓷器品味自然;平民百姓在市民经济空前发展下用黑色釉瓷器享受生活的自由与快乐。

Color is the language of emotion.The color of porcelain glaze is an independent language art,and people's appreciation of it in the Song Dynasty showed the differences between different classes,reflecting the diverse aesthetic psychology of the Song Dynasty.This study analyzes the aesthetic psychological characteristics of the Song people through their different choices of porcelain glaze colors and the social and cultural backgrounds of each class,starting from the three representative classes of Song society,and thus gaining some understanding of the spiritual world of the Song people.The study found that:the court class represented by Emperor Huizong of the Song Dynasty was influenced by Taoism to understand Taoism with blue glazed porcelain;the scholar class was influenced by society and the ideological environment of the three religions to taste nature with white glazed porcelain;ordinary people enjoyed the freedom and happiness of life with black glazed porcelain under the unprecedented development of the civic economy.