地理空间与信息传递——宋末元初杭州城内书画藏品的递藏

On Chinese Traditional Paintings and Calligraphies being Circulated and Collected in the Context of the Re-planned Hangzhou City over the Late Song-Early Yuan Dynasties

宋元之际,杭州(南宋称“临安”)的城市空间结构突破了唐代坊和市的界限,官署、民居杂然散布于市巷之间,数条水路贯通全城,空间的通畅对这一时期的人际交往、商品流通及信息交流均产生了较大的影响。本文从“地理空间”和“信息传递”切入,通过对宋末元初杭州城鉴藏群体的交游与住宅分布的考察,发现其居住的官署、私宅位置皆相邻近,居住区的邻近加速了藏品信息的传递,鉴藏家凭借自身的文化、社会资本以及地域优势汇集了大量的藏品信息,并通过频繁拜访和雅集达成信息的流通,形成了区隔于此区域之外人群的信息与交易网络,由此藏品得以在杭州城这一区域内快速流动。

While the Yuan Dynasty was replacing the Song Dynasty,the city of Hangzhou(Lin'an'of the Southern-Song dynasty)got significantly re-planned and re-constructed in layout and arrangement ever.Specifically,quite different from what it used to be like in the Tang Dynasty,it had no boundaries between commercial and residential areas,government agencies and folk dwellings,which was followed by profound impacts upon commodity circulation,inter-communication and message exchanges among the people of all status and industries owing to the improved transportation and spatial context based on the large number of waterways running through the city.The improved transportation was promoting the communication among the urban artist and connoisseurs more conveniently and more frequently,who had more chances to get-together sharing messages from more sources to form the data and trade network across the city,which hereby accelerated the circulation and collection of the fine arts of painting and calligraphy consequently.