摘要
将要出版的《李纯一全集》六卷,辑集先生已发表和未刊发的大量论作,其中包括两部中国古代音乐史遗著和不少尚未发表的音乐考古和音乐史研究论文。尤其是前者,分别撰就于1953和1954年,洵极珍贵,堪称早期中国音乐史教材撰著的典范。除此之外,先生与中外学者的部分学术通信也为首次公开发表。这些学术成果和资料的印行,对于中国音乐史学史和音乐学术史的建设,均具有十分重要的意义。
The forthcoming publication of the six volumes of the Complete Works of Li Chunyi encompasses two previously unpublished manuscripts on ancient Chinese music history,as well as other unreleased articles concerning music archaeology and music history.Notably,the manuscripts,authored in 1953 and 1954,hold immense value and can be considered exemplary models for Chinese music history textbooks.Moreover,this publication includes a selection of academic corespondence between Li Chunyi and both Chinese and foreign scholars,now being made available for the first time.The dissemination of these scholarly achievements and materials holds profound importance for the development of Chinese music history and the broader landscape of music academia.
出处
《中国音乐》
CSSCI
北大核心
2023年第4期179-181,F0002,共4页
Chinese Music
关键词
李纯一
音乐考古
音乐史
遗著
学术通信
Li Chunyi
Music Archaeology:Music History
Unpublished Manuscripts
Academic Correspondence