楝亭“家屋”空间的建构与艺文书写

The Construction and Artistic Writing of“House Space”in the Lian Pavilion

对有清一代诗史的建构,离不开对典型事件的关注。从曹寅对楝亭的营构及图文题咏这一典型事件开始,即伴随着对楝亭“家屋”伦理的、文学的、审美的多重意蕴的空间建构。曹寅以楝亭形成的亭台空间为据点,当他尝试建构自己对于南都昔日生活的记忆乃至居住于此后的生活情状时,一方面借助孝悌意象符号来描写其栖居空间、生活状态,并新添入会友、园隐的栖迟意象内涵,以此塑造自我形象;一方面在建构自己社会身份与生命格局的过程中,透过征集楝亭题咏、宴集酬唱等方式传布风雅,完成了艺文书写的全过程。裹挟在清初唱和之风的浪潮中,文事亦带动着雅集传统的复归。而楝亭开放性隐喻意蕴空间形塑完成的同时,召唤着江南文士们一起参与进金陵这一地方历史记忆的建构.

The construction of the history of Qing poetry cannot be separated from an emphasis on typical events.The most notable event,namely Cao Yin's construction of the Lian(“Chinaberry”)Pavilion and his inscriptions of pictures and texts,was accompanied by the spatial construction of multiple ethical,literary and aesthetic implications of the Lian Pavilion as a“house”.Cao Yin regarded the pavilion space as his sanctuary and attempted to construct his memory of the life in Jinling,the southern capital,and his living situation after moving there.On the one hand,he used the image of filial piety to describe his living space and condition,and added the image of meeting friends and secluded life in order to create his self-image.On the other hand,when constructing his social identity and living pattern,Cao Yin spread the elegant lifestyle by collecting poems about the pavilion and reciting them at banquets,thus completing the process of artistic writing.This literary event was part of the wave of poetry exchange in the early Qing dynasty,and it also led to a resurgence of the tradition of scholar gathering.The open metaphorical implication space of the pavilion called upon jiangnan scholars to participate in the construction of the historical memory of Jinling.