摘要
“龙学”的学术研究在中国文艺理论批评中占据锁钥之地位,其理论价值与学术意义是中外文艺理论研究者追求的目标。然而,探索刘勰《文心雕龙》民间文艺意识的学者并不多,考论其中民间文艺生成逻辑的成果更是微乎其微。刘勰运用民间文艺资料构建出“文的世界”,无意之间也构建出“民间文艺的世界”。他在创作《文心雕龙》这部文论巨著时,以“溯根”式的原始思维方式概括文艺创作规律,涉及多种文体,潜隐着民间文艺的生成逻辑,对民间文艺体系建构具有重要启迪意义。
The research of the study of Literary Mind and the Carving of Dragons occupies a key position in the criticism of Chinese literary theory,and its theoretical value and significance are the objective of Chinese and foreign literary theory researchers.However,few scholars have explored the folk literary consciousness of Liu Xie's Literary Mind and the Carving of Dragons,and even fewer achievements have been made on the generative logic of folk literature and art.Liu Xie used folk literature and art materials to construct the"world of literature,"and unconsciously constructed the""world of folk literature and art."When he created the literary masterpiece Literary Mind and the Carving of Dragons,Liu Xie summarized the laws of literary creation with the original way of"tracing the roots,"involving a variety of literary styles,impling the genetic logic of folk literature and art,which is of great enlightenment significance to the construction of folk literature and art system.
作者
段友文
赫学佳
Duan Youwen;He Xuejia
出处
《中国文化研究》
北大核心
2023年第2期1-13,共13页
Chinese Culture Research
基金
国家社会科学基金重大项目“山陕豫民间文化资源谱系与创新性发展的实证研究”(19ZDA185)的阶段性成果。
关键词
《文心雕龙》
民间文艺体系
自然观
创作规律
Literary Mind and the Carving of Dragons
folk literature and art system
view of nature
law of literary creation