内蒙古钢琴音乐创作80年的回顾与反思(二)

Review and Reflection on Past80 Years of Inner Mongolia Piano Musical Composition(Part two)

本文系统性地梳理与评价了80年来中国钢琴音乐创作中涉及内蒙古草原文化题材的诸多内容。与一般讨论钢琴音乐创作仅关注钢琴独奏曲的研究论文不同,本文是根据内蒙古的区域特色,把特别重要的艺术歌曲化的民歌、室内乐和独奏曲、协奏曲并置,从而更全面地探讨中国作曲家们在这一颇具地域风格领域里的实践与创作,进而全面地认识和理解该领域在整个内蒙古地区音乐发展中的意义,以及它为中国钢琴艺术创作的实践探索与理论开掘所作出的贡献。

This paper systematically collates and evaluates the contents of the prairie culture in the past 80 years in China's piano musical composition.Different from the research papers that generally discuss the creation of piano music and only focus on piano solo,this paper juxtaposes the particularly important art song based folk songs,chamber music,solo and concerto according to the regional characteristics of Inner Mongolia,so as to more comprehensively discuss the practice and creation of Chinese composers in this field with regional style.Then it can be fully understood the significance of this field in the development of music in the whole Inner Mongolia region,as well as its contribution to the practical exploration and theoretical excavation of Chinese piano art creation.