民族传统音乐区域性风格在当代专业音乐作品中的展现——初探歌舞剧《天边格桑花》音乐创作

The Expression of Regional Folk Music Styles in Contemporary Music Composition--A Preliminary Exploration of Music Composition for the Musical “Gaisang Mêdog On the Horizon”

如何将传统音乐的表现形式与内容在传承中与专业音乐创作相结合,特别是呈现出有辨识度的区域性风格,将文化记忆镶嵌于舞台表演艺术中,是当代作曲家面临的问题之一。本文以歌舞剧《天边格桑花》的音乐创作为例,初步探讨了其中的区域性音乐风格表达、民间音乐与专业音乐创作在不同层面的融合及民间民族音乐艺术元素舞台展示三个方面在该作品中的艺术呈现。该剧在当代音乐创作实践中,走出了一条延续音乐文化记忆、传承西藏本土音乐文化的特色之路。

One significant issue contemporary composers face is how to fuse traditional folk music with professional music composition techniques that inherit the former and enrich the latter,in particular,ones that present a recognizable regional style and bring the collective memory of a community into the performing arts.This paper uses the musical“Gaisang Mêdog On the Horizon”as an example and initially explores its expression of regional folk music styles,the methods of fusing folk music and art music at different levels,and how to display folk music elements on the stage.This musical distinctly employs Tibetan traditional music and carries the culture's collective memory through a contemporary music composition style.